
Armando de Lacerda and Experimental Phonetics in the inter-war period
Out 9, 2019 | Capítulos, Publicações

Armando de Lacerda and Experimental Phonetics in the inter-war period: scientific innovation and circulation between Portugal, Germany and Harvard
- Quintino Lopes & Elisabete Pereira
- Proceedings of the Third International Workshop on the History of Speech Communication Research. Vienna, September 13-14, 2019
- Michael Pucher, Jürgen Trouvain e Carina Lozo (Eds.)
- 2019
- Dresden: TUD Press
- Idioma: Inglês
- ISBN: 978-3-95908-180-1
- 95-104 p.
Sobre o livro:
The workshop on the History of Speech Communication Research brings together researchers of multiple disciplines such as speech signal processing, experimental phonetics, media archaeology, speech archiving, and historical musicology. The contributions in this collection reflect this diversity that ranges from speech data archives over the history of speech synthesis to research of speech production and speech acoustics in the last two centuries.
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maio, 2022
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
Tempo
(Terça-feira) 10:00 am - 5:30 pm
Organizador
Instituto de História Contemporânea — NOVA FCSH e Universidade de Évora, IN2PAST e University College London
Notícias
“Homenagem à liberdade, à democracia e aos que morreram por ela”
Mai 18, 2022
Palavras do historiador Fernando Rosas no Campo de Concentração de Mauthausen.
Exposição “Portugal e Luxemburgo” em Cascais
Mai 12, 2022
Exposição com curadoria de Margarida de Magalhães Ramalho e Claude Marx.
“Viagem ao Sol” chega ao IndieLisboa
Mai 6, 2022
O novo documentário de Ansgar Schaefer e Susana de Sousa Dias estreia hoje em Portugal.
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