War Hecatomb. International Effects on Public Health, Demography and Mentalities in the 20th Century, offers new insights on the impact of wars (namely, but not exclusively, World War I), by underlining its social and psychological consequences, particularly in public health, demography, and mentalities in different countries. Therefore, it is not just another book on World Wars, since it does not focus primarily on political, diplomatic, military or economic aspects. Instead, the work offers a brand new approach on these wars’ consequences, and especially on the civilizational significance of the Great War of 1914-1918. This original view over societies coping with the aftermath of the two world wars reveals how states and different agents were compelled to act and to face the new post-war reality, bringing to light an innovative social agenda while simultaneously trying to cope with the overwhelming phenomenon of physically and mentally scarred multitudes of veterans and their families. The book focuses on the consequences of conflicts in different perspectives and geographic locations. In twelve chapters, several aspects and effects of wars are analysed through different lens.
Tipologia do Evento:
Sessão de cinema
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
(Terça-feira) 10:00 am - 5:30 pm
Instituto de História Contemporânea — NOVA FCSH e Universidade de Évora, IN2PAST e University College London
Mai 18, 2022
Palavras do historiador Fernando Rosas no Campo de Concentração de Mauthausen.
Mai 12, 2022
Exposição com curadoria de Margarida de Magalhães Ramalho e Claude Marx.
Mai 6, 2022
O novo documentário de Ansgar Schaefer e Susana de Sousa Dias estreia hoje em Portugal.