Fé e futebol. Muscular Catholicism between Italy and Portugal in the European context (1922-1958)
- Daniele Serapiglia
- Volume 18, Número 1
- Idioma: Inglês
- DOI: https://doi.org/10.1163/17683084-12341732
- ISSN: 1257-0273 / 1768-3084 (online)
This article argues that Portugal was not immune to the experience of Muscular Catholicism, through which the Church tried to strengthen its own imagined community after 1945. This was an imagined community that the Church hoped that it would involve the whole continent starting from Italy, where the “Catholic sport” was trying to take the place of the “fascist” sport. Indeed, the Church overcame its distrust of football in this period, making it one of the symbols of its “banal internationalism”, and one of the means by which Pius XII tried to make the idea of a totalitarian Church a reality, as suggested by Pius XI.
fascism; totalitarianism; muscular catholicism; banal internationalism; Pius XII; fascismo; totalitarismo; catolicismo muscular; internacionalismo banal; Pio XII; fascisme; totalitarisme; catholicisme musculaire; internationalisme banal; Pie XII
Tipologia do Evento:
Sessão de cinema
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
(Terça-feira) 10:00 am - 5:30 pm
Instituto de História Contemporânea — NOVA FCSH e Universidade de Évora, IN2PAST e University College London
Mai 18, 2022
Palavras do historiador Fernando Rosas no Campo de Concentração de Mauthausen.
Mai 12, 2022
Exposição com curadoria de Margarida de Magalhães Ramalho e Claude Marx.
Mai 6, 2022
O novo documentário de Ansgar Schaefer e Susana de Sousa Dias estreia hoje em Portugal.