
«Deste triste viver.»
Apr 1, 2019 | Chapters, Publications

«Deste triste viver.» Os dias de cativeiro na Frente Ocidental da Primeira Guerra Mundial, 1917‑1918 [The days of captivity in the Western Front of World War One, 1917-1918]
- Maria José Oliveira
- Prisioneiros de Guerras. Experiências de cativeiro no século XX [Prisoners of Wars. Experiences of captivity in the 20th century]
- Pedro Aires Oliveira (Coord.)
- 2019
- Lisbon: Tinta da China
- Language: Portuguese
- ISBN: 978‑989‑671‑483‑3
- 87-104 p.
About the book:
Prisioneiros de Guerras revela um conjunto de situações em que portugueses – civis e militares, voluntários e conscritos – foram capturados: da Primeira Guerra Mundial aos conflitos do fim do império, dos campos berberes na Guerra do Rif aos Stalag alemães da Segunda Guerra Mundial, das prisões franquistas na Guerra Civil de Espanha aos cárceres privados de milícias timorenses em 1975.
Partindo da evocação do centenário da Primeira Guerra Mundial e da Batalha de La Lys, que deu origem à maior captura em massa de soldados portugueses no século XX, os episódios aqui reunidos revelam também como as convenções internacionais sobre prisioneiros de guerra estiveram quase sempre um passo atrás das complexas realidades criadas pelas guerras modernas.
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
Tempo
(Terça-feira) 10:00 am - 5:30 pm
Organizador
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
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