
Mais e Melhor Fruta
Oct 10, 2018 | Books, Publications

Mais e Melhor Fruta. Uma fotobiografia de Joaquim Vieira Natividade
- Ignacio García-Pereda
- 2018
- Lisbon: Euronatura
- ISBN: 978-989-98481-4-6
- Language: Portuguese
- 183 p.
Excerpt from the preface:
A presente obra “Mais e Melhor Fruta” materializa uma segunda publicação biográfica que o investigador espanhol Ignacio García Pereda dedica a Joaquim Vieira Natividade, assumindo aqui mesmo o título homónimo de um dos trabalhos mais conhecidos do grande agrónomo nacional (Natividade, 1943). Uma segunda publicação, diria, mais atualizada e especializada, no tema da fruticultura. Na verdade, complementar à primeira obra, essa consagrada na sua essência àquela que foi, porventura, a área de intervenção de maior notoriedade internacional do engenheiro agrónomo: a subericultura1. Num certo sentido, dez anos após a primeira publicação, Ignacio García Pereda, encerra com esta segunda obra, o círculo virtuoso de Joaquim Vieira Natividade que invariavelmente comporta esses dois universos fundamentais para a sua carreira agronómica, como o foram o da cortiça e o da fruta.
Alberto Guerreiro
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
Tempo
(Terça-feira) 10:00 am - 5:30 pm
Organizador
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
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