
The (lack of) visibility of a Roman object at the Portuguese National Museum of Archaeology
Jun 18, 2019 | Papers, Publications

The (lack of) visibility of a Roman object at the Portuguese National Museum of Archaeology. History of science readings
- Elisabete J. Santos Pereira & Maria de Fátima Nunes
- 2019
- MIDAS
- Número 10
- Language: Portuguese
- DOI: https://doi.org/10.4000/midas.1685
- ISSN: 2182-9543 (online)
From the 1980s, researchers in the history of science field have approached scientific objects as primary research sources, revealing an innovative perspective about the local and global relations in knowledge production. Scientific objects reflect the technologies and contexts involved in knowledge production, and the range of economic, cultural, social and intellectual factors at work in societies. The study of scientific objects can also reveal the social and scientific dynamics that enabled individuals to collect objects and create museum collections, and their role in founding and developing museums; furthermore, it provides a deeper understanding about the role of the individuals that produced knowledge about the past, that established networks for communication, exchange and knowledge dissemination throughout the western world. This article outlines a single object biography, a Roman archaeological artefact – a silver and gold patera (2nd – 1st century AD) – that is part of the Museu Nacional de Arqueologia (MNA) collections since 1905. This approach highlights the potentialities of this methodology applied to the history of museological institutions, in this case archaeology museums.
Key words:
history of science, collecting, object biography, museology, archaeology
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Detalhes do Evento
First session of the 2026 edition of 'O Passado em Cena' [The Past on Stage] — discussions on approaches to the past and historical memory through cultural objects outside the
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Detalhes do Evento
First session of the 2026 edition of ‘O Passado em Cena‘ [The Past on Stage] — discussions on approaches to the past and historical memory through cultural objects outside the academic sphere.
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Debate em torno da peça
Nesta sessão do ciclo O Passado em Cena discutiremos a peça Torrente, do Teatro do Vestido, em torno da memória do processo revolucionário de 1974-75, e em particular da intensa participação cívica desencadeada pelo 25 de Abril. Escrita e dirigida por Joana Craveiro, a peça servirá de pretexto para uma conversa entre a encenadora, os/as actores/as e historiadores/as sobre as múltiplas narrativas que, do teatro à historiografia, nos têm permitido reconsiderar a memória da Revolução.
A sessão insere-se nas actividades do projecto GRASSROOTS — Memória e Revolução. Um arquivo de história oral da militância de base no processo revolucionário de 1974-75 (2023.10625.25ABR)
Participantes: Joana Craveiro, Elisa Lopes da Silva, Felipe Brandi e Luís Trindade (IHC — NOVA FCSH / IN2PAST)
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Institute of Contemporary History — NOVA School of Social Sciences and Humanitiescomunicacao.ihc@fcsh.unl.pt Avenida de Berna, 26C - 1069-061 Lisbon
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