
O Serviço de Caça-minas
Nov 20, 2018 | Chapters, Publications

O serviço de caça-minas
- Paulo Costa
- A Marinha Portuguesa na Grande Guerra (1916-1918). O afundamento do caça-minas Roberto Ivens
- Carlos Valentim & Paulo Costa (Coords.)
- 2018
- Lisbon: Comissão Cultural de Marinha
- Language: Portuguese
- ISBN: 978-989-8159-83-0
- 75-96 p.
Excerpt from the Preface:
Alguns dos factos apresentados neste livro demoraram mais de 100 anos para serem relatados…
Nesta obra, para além do seu enquadramento em todo o contexto da Grande Guerra, são registados vários factos, alguns dos quais ocultados aquando do seu acontecimento: o afundamento do um navio e a perda de vidas humanas, a sua descoberta e identificação, o reavivar da sua memória e dos que nele cumpriram a sua última missão.
Este livro resulta da conjugação de várias vontades e da colaboração entre diferentes instituições, militares e civis, nas diversas actividades do projecto de investigação relacionado com o afundamento do Caça-minas Roberto Ivens.
(…)
Os autores, com a publicação deste livro, dão um contributo importante para a compreensão do afundamento do primeiro navio, facto relevante na participação da Marinha Portuguesa na Grande Guerra.
Augusto Mourão Ezequiel
Vice-Almirante REF
Diretor da Comissão Cultural de Marinha
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
Tempo
(Terça-feira) 10:00 am - 5:30 pm
Organizador
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
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