
Freedom for the «Protestant Bible» distribution in Portugal at the beginning of the 20th century
Jul 30, 2018 | Papers, Publications

Freedom for the «Protestant Bible» distribution in Portugal at the beginning of the 20th century: «José Alexandre’s Case»
- Timóteo Cavaco
- 2018
- Oficina do Historiador
- Volume 11, Issue 1
- 122-141
- Language: Portuguese
- DOI: https://doi.org/10.15448/2178-3748.2018.1.26873
- ISSN: 2178-3748
In the sentence of the Court of Appeal of Lisbon, dated of 19th October 1907, the legality of the sale of so-called «Protestant Bible» was for the first time recognized with no ambiguity, and, more than that, it was granted permission to the Protestant religion in Portugal, on the basis of the Constitutional Charter of 1826. Almost four years before the recognition of the «civil and political equality of all churches», according to the new Constitution of the Republican regime, the jurisprudence of the confessional State of the Constitutional Monarchy already pointed out the respect for the religious pluralism which had started to consolidate in the Portuguese society from the second half of the 19thcentury. At the origin of this historical sentence there was a criminal but also an ecclesiastical accusation against the travelling salesman José Alexandre who acted on behalf of the Bible Society, an organization committed to the distribution of the Bible in Portuguese territories, since 1809. The goal of this paper is to analyse the legal foundation used by the Appeal Judges in sustaining the decision to not prosecute the Bible Society colporteur, within a political and legal context, but also social and religious, in which the Catholic religion persisted withholding almost exclusively the propagation and affirmation of the faith, as well as the religious membership of the Portuguese citizens.
Key-words:
Constitutional Monarchy; Bible; Religious Freedom; Bible Society
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The RESONANCE Reading Group is a monthly encounter of the wider academic community of the project RESONANCE invested in thinking-with one key text or book a month. RESONANCE Reading
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Detalhes do Evento
The RESONANCE Reading Group is a monthly encounter of the wider academic community of the project RESONANCE invested in thinking-with one key text or book a month.
RESONANCE Reading Group
Session #4: Independent Music Theatre in Berlin, by Martina Stütz
The RESONANCE Reading Group is a monthly meeting that brings together members of the academic community, colleagues, friends, and enthusiasts of contemporary cultural history to reflect on and discuss a fundamental text or book. It is part of the project RESONANCE — Epistemologies for the Documentation of Affect and Becoming in Cultural Manifestations in Performance (1969-1979). This group meets in person at NOVA FCSH or online, during lunchtime on a weekday. Each participant brings their own lunch, and for in-person sessions, coffee and biscuits are kindly provided by the project.
The fourth session of the RESONANCE Reading Group focuses on the chapter “Independent Music Theatre in Berlin: Breaking Out of Traditional Discourses and Building New Structures,” by Martina Stütz. This chapter traces the development of independent musical-theatre in Berlin since the 1990s, drafting its ecologies of practice through forms of diversity and interdisciplinarity. It demonstrates some of the ways in which these nodes expand into the creation of production and collaboration networks, affirming musical theatre as a multimodal hybrid practice. In doing so, however, it expands this medium’s formal currency into paradox: how can such a capacious, vibrant, networked set of manifestations still be so scattered, fragmented, and invisible within institutional circuits? This reading group is going to be led by Filipa Magalhães (CESEM — NOVA FCSH / IN2PAST).
You can register by emailing Hélia Marçal at heliamarcal@fcsh.unl.pt, to receive an online meeting link and a PDF copy of the chapter.
More information about the RESONANCE project here.
This event is part of the RESONANCE’s Spring Seminar Series. Public events will also include the Seminar Performing the Archive, led by the curator and scholar Paula Parente Pinto, which will take place on the same day, April 29, at 6 PM, Auditorium B1 (Tower B), NOVA School of Social Sciences and Humanities.
Picture: Persimmon, axial view, MRI. Alexandr Khrapichev, University of Oxford. Source: Wellcome Collection, United Kingdom (CC BY)
The RESONANCE project is supported by the Programa Regional Lisboa 2030, Portugal 2030 and the European Union (LISBOA2030-FEDER-00914500). This work is also co-funded by national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., under the reference 2023.17624.ICDT (DOI: https://doi.org/10.54499/2023.17624.ICDT).
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