Scourge in the Mediterranean. Policies Against the Argentine Ant in the First Half of the 20th Century
(…) This chapter analyses the causes and motivations for controlling this species in Portugal, Spain, France and Italy in the first half of the twentieth century, describing and comparing legal and administrative measures among the countries. (…)
Argentine ant, regulations, Southern Europe
About the book:
Bioinvasions is a current top research subject for natural sciences, social sciences and humanities and a major concern for conservationists, land managers and planners. In the last decades, new findings, perspectives and practices have revealed the multifaceted challenges of preventing new introductions and dealing with those invasive species that harm natural ecosystems, economy and human welfare.
This book brings together environmental historians and natural scientists to share their studies and experiences on the human dimensions of biological invasions from the ancient past to the current challenges. The collection of papers focuses on the Mediterranean region and deals with aquatic and terrestrial ecosystems on the mainland and islands, ranging from marine and freshwater environments to coastal marshlands and forests. A wide diversity of animals and plants are featured, from marine fishes to marine and freshwater crustaceans, invertebrates, reptiles and amphibians, birds and mammals, to grasses, shrubs and trees. This book is a contribution to the scientific debate on how to deal with the historical dimensions of biological invasions, fostering dialogue between cultural and ecological explanations of environmental change, to inform environmental policy and management.
It has been organized in three sections: the first is the editors’ introduction, in which they review the existing literature and highlight relevant concepts and ideas; the second is about alien species in the Mediterranean region; the third includes cases from other Mediterranean-type regions.
Tipologia do Evento:
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
(Terça-feira) 10:00 am - 5:30 pm
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
May 18, 2022
The words historian Fernando Rosas used to describe the ceremony of the 77th anniversary of the liberation of the Mauthausen Concentration Camp.
May 12, 2022
Exhibition curated by Margarida de Magalhães Ramalho and Claude Marx.
May 6, 2022
The new documentary by Ansgar Schaefer and Susana de Sousa Dias premieres today in Portugal.