
La dinamica dei movimenti cattolici portoghesi
Jul 31, 2019 | Chapters, Publications

La dinamica dei movimenti cattolici portoghesi e la ricomposizione della laicità nel Portogallo democratico (1976-2001)
- Giulia Strippoli & Guya Accornero
- La laicità dei cattolici. Francia, Spagna e Portogallo sul declinare del XX secolo
- Ilaria Biagioli e Alfonso Botti (Coords.)
- 2018
- Rome: Viella
- Language: Italian
- ISBN: 978-88-6728-981-3
- Pages: 311-344
About the book:
La storia dell’Occidente conosce da secoli, pur con pause e arretramenti, il ridimensionamento dell’influente presenza delle istituzioni religiose nella vita pubblica. Dalla Rivoluzione francese l’Europa cattolica è stata attraversata da processi di secolarizzazione che hanno affermato la necessità di fondare la convivenza e le sue regole su basi esclusivamente mondane. La laicità ha interpellato anche il mondo cattolico, dividendolo.
In riferimento ai decenni di trasformazioni strutturali e culturali, di redifinizione degli orientamenti valoriali che hanno chiuso il Novecento a partire dal ’68, questo mondo viene qui indagato da Frédéric Le Moigne, Michele Marchi e Ilaria Biagioli per la Francia; da Alfonso Botti, Mireno Berrettini e Romina De Carli per la Spagna; da João Miguel Almeida e Rita Almeida de Carvalho, Teresa Clímaco Leitão, Guya Accornero e Giulia Strippoli per il Portogallo.
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
Tempo
(Terça-feira) 10:00 am - 5:30 pm
Organizador
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
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