
Backstage of a new archaeology
Oct 24, 2019 | Chapters, Publications

Backstage of a new archaeology – ‘Invisible’ institutions in the 60s
- Ana Cristina Martins
- Web of Knowledge: A Look into the Past, Embracing the Future
- Sara Albuquerque, Teresa Ferreira, Maria de Fátima Nunes, Ana Cardoso de Matos e António Candeias (Eds.)
- 2019
- Évora / Faro: Universidade de Évora / Sílabas & Desafios
- Language: English
- ISBN: 978-989-8842-41-1
- 121-124
The 60s were crucial for the future of archaeology in Portugal, leaded by people aware of the epistemic changes taking place abroad, speaking several languages and conscious of the need to update scientific knowledge to avoid the incidence of foreigner researchers in the territory. This was a time when a new institution – the ‘Fundação Calouste Gulbenkian’ -, together with the ‘Instituto de Alta Cultura’, began and continued to finance archaeological research in Portugal. Other institutions, such as the ‘Sociedade Martins Sarmento’ (Guimarães) and the ‘Associação dos Arqueólogos Portuguese’ (Lisbon), much contributed to the increasing number of young scholars dedicated to archaeology. Focusing on the first of these two institutions, we will recognize some actors, strategies, means, liaisons and outputs of this “transition generation” and the role it played in the modernization of archaeology in the country.
About the book:
The International Multidisciplinary Congress – Web of Knowledge: A look into the Past, embracing the Future was held by IHC-CEHFCi, HERCULES Laboratory and CIDEHUS, University of Évora and took place in Évora, Portugal, from 17 to 19 May 2018.1 The Congress brought together researchers and scientists from different backgrounds intersecting the Exact Sciences with the Social Sciences revealing the visible and invisible networks. By fostering the exchange of knowledge and experiences in the study of the past, the Congress laid the framework for the present day science on which to map the future Web of Knowledge. A high-quality scientific programme was prepared, joining together experts from different fields covering a wide range of topics from Social Sciences, Arts and Humanities to Science and Technology. As a result of the quality of the panels and debates, the Organizing Committee decided to publish a digital and open access volume with blind peer-reviewed papers. This volume publishes a total of thirty-five contributions which reflect the innovative and multidisciplinary research occurring at the moment in different fields of knowledge, promoting visibility and networks of knowledge.
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outubro, 2023
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Detalhes do Evento
Exhibition of Guinean teleplays made in Guinea-Bissau and its diaspora in Portugal, organised as part of the “African Modes of Self-Filming” project. Teleteatro de Bissau No âmbito do projecto “African
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Detalhes do Evento
Exhibition of Guinean teleplays made in Guinea-Bissau and its diaspora in Portugal, organised as part of the “African Modes of Self-Filming” project.
Teleteatro de Bissau
No âmbito do projecto “African Modes of Self-Filming: Popular Films in Transnational Flow” (CEEC 2020, de Catarina Laranjeiro), vai ser realizada uma mostra de teleteatro guineense no Centro de Experimentação Artística do Vale da Amoreira. Esta actividade é financiada pela Direcção-Geral das Artes.
Teleteatro de Bissau é uma mostra de teleteatros guineenses, realizados na Guiné-Bissau e na sua diáspora em Portugal. Geradores de fluxos artísticos entre geografias, dão a conhecer, com humor, formas de invisibilidade social, nomeadamente os desafios de quem luta por uma vida melhor, emigrando ou dubriando ….
Calendarização
2 de Setembro
Barafunda (2006; 118’) de Mário de Oliveira
Sinopse: História de uma família de classe média baixa de Bissau, em que o pai não consegue mais ser o provedor da família, e a mãe tem de assumir esse papel, vingando na economia informal. Esta foi a história vivida à época por muitas famílias, para responder à crise económica e política que assolou o país, desencadeando transformações estruturais na sociedade.
9 de Setembro
Lixo de Europa (2022; 8’) de Nbana Kabra & Samba Tenen
Sinopse: Curta-metragem sobre emigrantes respigadores, nos contentores de lixo na zona de Queluz.
Fera di Bamdé (2018; 10’) de Nelka Lopes
Sinopse: História de uma mulher, que foi repatriada para a Guiné-Bissau. Retratando o quotidiano guineense, o filme foi realizado no Carregado, em Portugal.
A Lisboeta (2023; 28’) de Tcharlaça Comedy Bissau
Sinopse: Depois de viver muitos anos em Lisboa, uma mulher regressa à Guiné- Bissau, para tentar a sua sorte.
Poder di Tchom (2022; 22’) de Tcharlaça Comedy Bissau
Sinopse: As aventuras de um jovem guineense que deseja imigrar para a Europa.
4 de Outubro
Lixo de Europa (2022; 8’) de Nbana Kabra & Samba Tenen
Sinopse: Curta-metragem humorística sobre emigrantes respigadores, nos contentores de lixo na zona de Queluz.
Nunde Independência (2023; 4’) de Axy Demba
Sinopse: Reflexão crítica sobre as conquistas alcançadas pela independência.
Poder di Tchom (2022; 22’) de Tcharlaça Comedy Bissau
Sinopse: As aventuras de um jovem guineense que deseja imigrar para a Europa.
ENTRADA LIVRE
Tempo
(Quarta-feira) 4:00 pm - 5:30 pm
Organizador
Institute of Contemporary History — NOVA School of Social Sciences and Humanities and Moita Municipality
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