
A Inserção Internacional das Pequenas Potências
May 20, 2019 | Books, Publications

A Inserção Internacional das Pequenas Potências: Primeira Guerra Mundial [The International Insertion of Small Powers: World War I]
- Ana Paula Pires, António Paulo Duarte e Bruno Cardoso Reis
- 2019
- Lisbon: Instituto da Defesa Nacional
- ISBN: 978-972-9393-43-3
- Language: Portuguese
- 186 p.
O livro está estruturado em torno de três capítulos, aos quais se juntam a introdução e a conclusão e tem como objetivo preencher uma lacuna na literatura académica sobre o primeiro conflito mundial, designadamente no diz respeito ao papel das pequenas potências.
Esta obra resulta do Projeto de Investigação do Instituto de Defesa Nacional “Pensar Estrategicamente Portugal: A Inserção Internacional das Pequenas e Médias Potências e a Primeira Guerra Mundial”, desenvolvido pelo Instituto da Defesa Nacional em parceria com o Instituto de História Contemporânea da Faculdade de Ciências Sociais da Universidade Nova de Lisboa e com o Instituto de Ciências Sociais da Universidade de Lisboa, tendo sido apoiado pela Comissão Coordenadora das Evocações do Centenário da Primeira Guerra Mundial.
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
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Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
Tempo
(Terça-feira) 10:00 am - 5:30 pm
Organizador
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
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