Gonçalves Correia, a revolução através de um anarquista alentejano singular [Gonçalves Correia, the revolution through an anarchist from Alentejo]
- João Carlos Louçã
- Entre Outubro e Abril: estudos sobre trabalho, revoluções e movimentos sociais no século XX [Between October and April: Studies about labour, revolutions, and social movements in the 20th century]
- Jorge Fontes, António Simões do Paço, João Carlos Louçã & Miguel Pérez (Coords.)
- Vila Nova de Famalicão: Edições Húmus
- Language: Portuguese
- ISBN: 978-989-755-379-0
- 59-84 p.
About the book:
Entre Outubro e Abril. Estudos sobre trabalho, revoluções e movimentos sociais no século XX reúne textos cujo denominador comum são duas revoluções, a russa de 1917 e a portuguesa de 1974 e os grandes debates e reflexões que suscitaram entre historiadores.
Inclui textos de Marcelo Badaró Mattos, Raquel Varela, João Carlos Louçã, Demian Bezerra de Melo e Marcio Lauria Monteiro, Felipe Demier, Jorge Fontes, Miguel Ángel Pérez Suárez, Luísa Barbosa Pereira e António Simões do Paço.
O volume é aberto por um texto do nosso colega William A. Pelz, brilhante historiador norte-americano falecido prematuramente aos 66 anos em 10 de dezembro de 2017, cuja figura e obra assim pretendemos homenagear.
Tipologia do Evento:
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines. Crafting the Past: Materials, Materialities, Materialisms Gestures such as
Detalhes do Evento
Conference that aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines.
Crafting the Past: Materials, Materialities, Materialisms
Gestures such as the recent toppling of statues portraying slave owners or confederate soldiers in the UK and USA have ushered in public and historiographical debates about the legacies of colonialism as well the role of material culture and visuality in historical memory. Although the study of the past is always situated, not least disciplinarily, such situatedness should be open for productive intersections between history and history of art. For example, can we consider Cecil Rhodes’ statue an autonomous material manifestation without considering how its materiality is placed in history? Can we historicise artistic objects without engaging with the specific contexts of their material production or with the evolving ideological values that shaped the very conception of ‘art’? Can we talk about history as purely discursive when its material consequences are, at the same time, so palpable and so contested, particularly at a time when bodies and cultures are visibly threatened by global, social, economic, environmental, and health-related crises?
This conference aims to promote discussion around the thematic, epistemological, and methodological intersections of history and history of art as disciplines, focusing on their relationship to issues of materiality and ethics.
(Terça-feira) 10:00 am - 5:30 pm
Institute of Contemporary History — NOVA FCSH and University of Évora, IN2PAST, and University College London
May 18, 2022
The words historian Fernando Rosas used to describe the ceremony of the 77th anniversary of the liberation of the Mauthausen Concentration Camp.
May 12, 2022
Exhibition curated by Margarida de Magalhães Ramalho and Claude Marx.
May 6, 2022
The new documentary by Ansgar Schaefer and Susana de Sousa Dias premieres today in Portugal.