
On the debates on populism
Jul 9, 2021 | Papers, Publications

On the debates on populism
- Fernando Dores Costa
- 2021
- Práticas da História – Journal on Theory, Historiography and Uses of the Past
- Issue 12
- 161–179
- Language: Portuguese
- DOI: https://doi.org/10.48487/pdh.2021.n12.24968
- ISSN: 2183-590X
Populism is founded on the social effectiveness of a simple opposition between the “people” and the “politicians” accused of taking the state to their advantage. This opposition does not include a criticism of social structuring, considered as a dimension of a “natural” quality, but only the denunciation of abuses. This tradition of “simplicity” is illustrated in the “myth” in Georges Sorel or in the “people” in Ernesto Laclau. It is still the “simplicity” found in the identification of an enemy as diabolical, in the tradition of the image of the “free-masons” and “jacobins” or of anti-communism. In order to be socially perceived and experienced by many people, a conflict has to appear as a cleavage between two and only two forces.
Key-words:
populism, elitist democracy, people, George Sorel, anticommunism
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Detalhes do Evento
History and Image Workshop session, open and off-site: a conversation with Paula Albuquerque at the Tigre de Papel bookshop. Becoming Opaque
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Detalhes do Evento
History and Image Workshop session, open and off-site: a conversation with Paula Albuquerque at the Tigre de Papel bookshop.
Becoming Opaque — A opacidade como resistência ao estereótipo fílmico
Paula Albuquerque (IHC — NOVA FCSH / IN2PAST)
Resumo:
O meu trabalho debruça-se sobre o cinema documental colonial a partir de uma perspectiva histórica, decolonial e anarquivista. Como artista e investigadora portuguesa, com ascendência indiana, e a residir entre Lisboa e Amesterdão, abordo os cinemas coloniais português e holandês enquanto formas de proto-vigilância, com enfoque nas políticas da representação. Investigo de que modo as técnicas cinematográficas contribuíram para a subjectificação dos povos indígenas nas ex-colónias europeias, ao construírem identidades visuais do “outro” que os posicionaram como subalternos e cujos ecos persistem em sistemas de vigilância contemporâneos. A minha prática anarquivista adopta estratégias visuais emancipatórias através da investigação artística, desafiando modos expropriadores de representação colonial.
A moderação será realizada por Luís Trindade.
Para mais informações: oficinahistoriaeimagem@gmail.com
Tempo
(Quarta-feira) 6:00 pm - 7:30 pm
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Institute of Contemporary History — NOVA School of Social Sciences and Humanitiescomunicacao.ihc@fcsh.unl.pt Avenida de Berna, 26C - 1069-061 Lisbon
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