Daniel Alves

Biography
Daniel Alves is an Assistant Professor at the History Department in the NOVA School of Social Sciences and Humanities (FCSH), Universidade NOVA de Lisboa, and a researcher in the Institute of Contemporary History (IHC).
He has an MA in 19th Century History (2001) and a PhD in Economic and Social Contemporary History (2010). He has collaborated in several projects funded by the Portuguese Science and Technology Foundation, and the European Science Foundation. He has a special interest in the study of the lower middle-classes between 1870 and 1914, in the History of Revolutions, Urban History, and Historical GIS. He published several books and papers in Portuguese and international peer review journals, mainly about economic and social history, and Historical GIS.
He is the coordinator of IHC’s Digital Humanities Lab.
Research fields
- Social and economic history
- History of the revolutions
- Urban history
- Digital humanities
Selected publications
- Alves, Daniel, Ana Paula Barreira, Maria Helena Guimarães & Thomas Panagopoulos. “Historical Trajectories of Currently Shrinking Portuguese Cities: A Typology of Urban Shrinkage,” Cities 52 (2016): 20–29. [link]
- Alves, Daniel. “Introduction: Digital Methods and Tools for Historical Research,” International Journal of Humanities and Arts Computing 8 (2014): 1-12. [link]
- Alves, Daniel, & Ana Isabel Queiroz. “Studying Urban Space and Literary Representations Using GIS: Lisbon, Portugal, 1852-2009,” Social Science History 37 (2013): 457–81. [link]
- Alves, Daniel. A República atrás do balcão: os Lojistas de Lisboa e o fim da Monarquia (1870-1910). Chamusca: Edições Cosmos, 2012. [link]
Main projects
- Coordinator of the project “Arquivo digital do comércio de Lisboa (1870-1974): organização e disponibilização online do arquivo histórico da UACS” — Hosted by the UACS and the IHC – NOVA FCSH, and funded by the Calouste Gulbenkian Foundation. 2016-2017
- Coordinator of the project “Património e História da Indústria dos Mármores” — Hosted by the IHC – NOVA FCSH, and funded by INALENTEJO – QREN 2007-2013.
- Team member of the project “The Development of European Waterways, Road and Rail Infrastructures: A Geographical Information System for the History of European Integration (1825-2005)” — Coordinated by Jordi Marti-Henneberg (Departament de Geografia i Sociologia – Universitat de Lleida) and funded by the European Science Foundation and the Fundação para a Ciência e Tecnologia. 2008-2011 [link]
- Team member of the project “DICTIONARIUM – Cartografar as Memórias Paroquiais de 1758” — Coordinated by Luís Espinha da Silveira (IHC – NOVA FCSH), and funded by the POS_Conhecimento POS_C644/4.2/C/REG programme. 2006-2008.
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Events
abril, 2026
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Detalhes do Evento
The RESONANCE Reading Group is a monthly encounter of the wider academic community of the project RESONANCE invested in thinking-with one key text or book a month. RESONANCE Reading
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Detalhes do Evento
The RESONANCE Reading Group is a monthly encounter of the wider academic community of the project RESONANCE invested in thinking-with one key text or book a month.
RESONANCE Reading Group
Session #4: Independent Music Theatre in Berlin, by Martina Stütz
The RESONANCE Reading Group is a monthly meeting that brings together members of the academic community, colleagues, friends, and enthusiasts of contemporary cultural history to reflect on and discuss a fundamental text or book. It is part of the project RESONANCE — Epistemologies for the Documentation of Affect and Becoming in Cultural Manifestations in Performance (1969-1979). This group meets in person at NOVA FCSH or online, during lunchtime on a weekday. Each participant brings their own lunch, and for in-person sessions, coffee and biscuits are kindly provided by the project.
The fourth session of the RESONANCE Reading Group focuses on the chapter “Independent Music Theatre in Berlin: Breaking Out of Traditional Discourses and Building New Structures,” by Martina Stütz. This chapter traces the development of independent musical-theatre in Berlin since the 1990s, drafting its ecologies of practice through forms of diversity and interdisciplinarity. It demonstrates some of the ways in which these nodes expand into the creation of production and collaboration networks, affirming musical theatre as a multimodal hybrid practice. In doing so, however, it expands this medium’s formal currency into paradox: how can such a capacious, vibrant, networked set of manifestations still be so scattered, fragmented, and invisible within institutional circuits? This reading group is going to be led by Filipa Magalhães (CESEM — NOVA FCSH / IN2PAST).
You can register by emailing Hélia Marçal at heliamarcal@fcsh.unl.pt, to receive an online meeting link and a PDF copy of the chapter.
More information about the RESONANCE project here.
This event is part of the RESONANCE’s Spring Seminar Series. Public events will also include the Seminar Performing the Archive, led by the curator and scholar Paula Parente Pinto, which will take place on the same day, April 29, at 6 PM, Auditorium B1 (Tower B), NOVA School of Social Sciences and Humanities.
Picture: Persimmon, axial view, MRI. Alexandr Khrapichev, University of Oxford. Source: Wellcome Collection, United Kingdom (CC BY)
The RESONANCE project is supported by the Programa Regional Lisboa 2030, Portugal 2030 and the European Union (LISBOA2030-FEDER-00914500). This work is also co-funded by national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., under the reference 2023.17624.ICDT (DOI: https://doi.org/10.54499/2023.17624.ICDT).
Tempo
(Quarta-feira) 12:30 pm - 2:00 pm
Organizador
Institute of Contemporary History, IHA, CESEM, ICNOVA e IFILNOVA — NOVA FCSH
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