Anita Buhin

Economy and Society — State, Classes, and Gender
Contact:
anitabuhin@fcsh.unl.pt
Biography
Anita Buhin works as a Junior Researcher on the project ‘Performing Mediterranean masculinities: sex, tourism and gender in Yugoslavia, Italy and Portugal 1960s-1980s‘. She will analyse how local male youth from Mediterranean regions (Dalmatia in Yugoslavia, Algarve in Portugal and Romagna in Italy) shaped their masculinities through sexual and romantic encounters with female foreign tourists. Due to ideological differences, this project will also inquire into the role of the state and collective understanding of what acceptable (hegemonic) masculinity was, and how youthful Mediterranean masculinities were related to the mainstream.
She obtained her PhD at the European University Institute in 2019, and after that she collaborated as a researcher at the Centre for Cultural and Historical Research of Socialism at the Juraj Dobrila University of Pula, where she was also a lecturer. She is mostly interested in cultural history of socialist Yugoslavia in Mediterranean context, focusing on the relations of popular culture and tourism.
She presented her work on numerous conferences and published papers in English and Croatian. She published her first volume “Yugoslav Socialism ‘Flavoured with Sea, Flavoured with Salt’: Mediterranization of Yugoslav Popular Culture in the 1950s and 1960s under Italian Influences” (Srednja Europa: Zagreb, 2022), translated in Croatian in 2024 (Srednja Europa: Zagreb, 2024).
Research fields
- Cultural history
- Socialism
- Tourism
- Gender and sexuality
Selected publications
- Buhin, Anita, “In search of national style: Yugoslav popular music between the Balkans and the Mediterranean,” in The Routledge Handbook of Popular Music and Politics of the Balkans, edited by Catherine Baker, 312–326. London: Routledge, 2024. [link]
- Buhin, Anita. Yugoslav Socialism. “Flavoured with Sea, Flavoured with Salt”. Zagreb: Srednja Europa, 2022. [link]
- Buhin, Anita, “”Melodies from the Adriatic:” Mediterranean Influence in Zabavna Music Festivals of the 1950s and 1960s,” in Made in Yugoslavia. Studies in Popular Music, editado por Danijela Š. Beard e Ljerka V. Rasmussen, 25-36. London: Routledge, 2020. [link]
- Buhin, Anita. “Love and fashion: musical comedy and Yugoslav dolce vita,” Studies in Eastern European Cinema 10 (2019): 96-110. [link]
- Buhin, Anita. ““A Romantic, Southern Myth”: ‘One Day’ by the Troubadours of Dubrovnik,” TheMA – Open Access Research Journal for Theatre, Music, Arts 4 (2015): https://www.thema-journal.eu/index.php/thema/article/view/18. [link] 🔓
Main projects
- Individual project “Performing Mediterranean masculinities: sex, tourism and gender in Yugoslavia, Italy and Portugal 1960s-1980s” — Hosted by the IHC and funded by the Foundation for Science and Technology (2023.08114.CEECIND). 2024-2030
- Postdoctoral project “Galebovi – Yugoslav Mediterranean Casanovas in the Time of Mass Tourism” — Hosted by the IHC and funded by the IHC, with funds from the Foundation for Science and Technology. 2022-2024
- Researcher in the project “Microstructures of Yugoslav Socialism: Croatia 1970-1990 (Microsocialism)” — Coordinated by Igor Duda (Juraj Dobrila University of Pula) and funded by the Croatian Science Foundation. 2018-2023 [link]
- Researcher in the project “Making of the Socialist Man. Croatian Society and the Ideology of Yugoslav Socialism” — Coordinated by Igor Duda (Juraj Dobrila University of Pula) and funded by the Croatian Science Foundation. 2014-2017 [link]
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Events
janeiro, 2026
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Detalhes do Evento
Continuing the celebration of the centenary of Frantz Fanon's birth, this cycle proposes to reflect on his multiple legacies, from the anti-racist struggle to decolonisation movements, as well as his
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Detalhes do Evento
Continuing the celebration of the centenary of Frantz Fanon’s birth, this cycle proposes to reflect on his multiple legacies, from the anti-racist struggle to decolonisation movements, as well as his work as a psychiatrist.
Frantz Fanon | Ciclo de Cinema 2026
Dando continuidade à celebração do centenário do nascimento de Frantz Fanon, este ciclo propõe reflectir sobre os seus múltiplos legados, desde a luta anti-racista aos movimentos de descolonização, passando ainda pela sua actividade como psiquiatra – intimamente entrelaçada com as duas outras vertentes. Já na sua primeira obra Pele negra, máscaras brancas (1952), o cinema ocupa um espaço marginal mas não menos decisivo no que diz respeito a questões de representação, tendo um lugar central nas terapias alternativas que Fanon viria a introduzir no Hospital Psiquiátrico de Blida-Joinville, na Argélia, enquanto Médico-chefe de serviço entre 1953 e 1956. A leitura de Fanon revela-se fundamental não só para a compreensão do contexto histórico em que surgiu, com as suas ramificações entre os movimentos de libertação e as causas do chamado Terceiro Mundo nas décadas de 1960 e 1970, mas sobretudo na luta pelos direitos de grupos racializados. Todas estas questões voltam a ecoar no século XXI, quer em movimentos sociais que reivindicam uma cidadania efectivamente igualitária, quer na discussão sobre a urgência da descolonização dos saberes e das instituições. Como ler Fanon, hoje, a partir de Portugal? Qual o papel das instituições e dos diferentes movimentos na sua recepção? Qual a relevância da sua obra para a nossa contemporaneidade, tendo em conta a complexidade das suas diferentes vertentes – anti-colonial, anti-racista, terapêutica – e a reivindicação para se “sair da grande noite” do colonialismo?
À projecção dos filmes segue-se uma conversa com convidados/as e debate.
As sessões 1 a 4 decorrem na Casa do Comum; a sessão 5 decorre no Cinema Fernando Lopes.
Os filmes são legendados em inglês.
Organização: Manuela Ribeiro Sanches, Miguel Ribeiro e Sofia Victorino, com o IHC —NOVA FCSH
>> Descarregar o programa do ciclo (PDF) <<
Sessão 1 | Sábado, 17 Janeiro, 16:00
Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, Abdenour Zahzah, Algeria, França, 2024, 90’
1953, Argélia colonizada. Frantz Fanon, um jovem psiquiatra negro da Martinica, é nomeado médico-chefe do Hospital de Blida-Joinville. Ao pôr em prática as suas teorias de “psicoterapia institucional”, em oposição às teorias racistas da Escola de Psiquiatria de Argel, uma guerra irrompe dentro das próprias enfermarias. Esta longa-metragem centra-se nos métodos visionários de terapia social de Frantz Fanon durante o período em que trabalhou como psiquiatra na Argélia, entre 1953 e 1956.
Conversa com Ruth Wilson Gilmore, Mina Untalan e Lucas Manarte. Moderação de Manuela Ribeiro Sanches
Fotografia: Frantz Fanon numa conferência de imprensa durante um congresso de escritores em Tunes, 1959 (Frantz Fanon Archives / IMEC)
Tempo
(Sábado) 4:00 pm - 6:30 pm
Organizador
Institute of Contemporary History — NOVA School of Social Sciences and Humanities and Casa do Comum
News
Matt Cook is the IHC Visiting Scholar for 2025–2026
Jan 13, 2026
Distinguished social and cultural historian from the University of Oxford
IHC dedicates film cycle to Frantz Fanon
Jan 9, 2026
Film cycle focusing on the relationship between his work and this art form
TRANSMAT publication discusses the legacies and responsibilities of Portuguese museums
Jan 7, 2026
Special supplement to the journal História, Ciências, Saúde — Manguinhos
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